I was pondering the need for a satisfying story to have a backbone. I’ve just finished reading Before You by Kathryn Freeman, which I thoroughly enjoyed. The story is set against the yearly Formula 1 season and it struck me that this provided a great structure against which the lives of the characters are played out.
My forthcoming debut follows part of the school year and holidays. One novel I’ve been working on is set against the stage of the English Civil war and another the First World War, the history providing the necessary structure.
I’ve also read books that use the revelations of a diary as the backbone as with Lynda Stacey’s House of Secrets featuring on my blog of 25 July 2016 and Georgia Hill’s While I Was Waiting a guest on my blog on 2 July 2015.
It made me realise that I need to be conscious of the frame into which I fit my novels. I think in the past I’ve done this subconsciously, paying attention to the seasons and passing of the years, but in future I will be doing this deliberately as I feel it adds so much to the tale.
Can you give me any more examples of structure behind a novel?
In other news:
- Watch out for a competition for subscribers to my blog next week and
- I will shortly begin a series of interviews with my fellow Choc Lit authors, starting with Kirsty Ferry in two weeks.