Guest Author – Donna Douglas
Today I am pleased to have an interview with author Donna Douglas. We met at the RNA conference in Penrith and I was fascinated by the background research she has been doing for her books. Donna’s novel The Nightingale Girls is published by Arrow on 16 August 2012.
I asked Donna a few questions.
When did you know you wanted to be a writer?
Always! Even when I was really young, I used to escape out into our bank yard and hide myself away on top of the coal shed (the only place you could get any peace and quiet in our house!) to scribble stories. My idea of a treat was a brand new exercise book (I still love stationery to this day!)
Tell us about the fascinating research you have done for The Nightingale Girls.
The Nightingale Girls is set in an East London Hospital in the 1930s, so there was a lot of research to be done! I started by reading all the nursing biographies I could get my hands on to give me an idea of the day to day lives of nurses during that period. I then did lots of interviews with retired nurses.
I had one really fun afternoon with half a dozen ladies who were amazing and brought some wonderful photos and memorabilia to show me. We had tea and cakes and there was lots of laughter (although some of the stories they told me were unprintable!). I was very lucky in that the Royal College of Nursing has an extensive archive of oral histories going back to the early 20th century, so I spent several days going through that, and through other archives held by various Leagues of Nurses.
Listening to the nurses’ stories really helped bring my own characters to life. I also trawled the internet for various medical books of that period, which are utterly fascinating. My husband says I must be the only person in the world whose bedside reading consists of illustrations of 1930s bedpans!
How do you put yourself into another era for your writing?
It’s difficult, because you really have to learn to think like someone from that period. Attitudes have changed so much over the generations, and things that we take for granted, like divorce and living together and having children outside marriage, would have been utterly shocking back in those days.
I did lots of reading to make sure all the historical details were correct and I visited the Bethnal Green Local History archives to read newspapers of that period. Research like that gives you an insight into people’s day to day lives that you wouldn’t get from a history book. For instance, I discovered dozens of reports of road accidents in that area during the 1930s. It seemed odd, until it dawned on me that motor cars were relatively new on the streets of the East End and people just weren’t used to them! On a darker note, I also found many disturbing accounts of suicide. That’s because in the days before the welfare state, old or sick people would end their lives rather than be a burden to their families. That’s what I mean by a different attitude.
What would be your best tip for newbie writers?
When you’ve written something, put it away for a month and then look at it again. I guarantee you will be able to judge your work far better. And never be afraid to rewrite – I changed the ending of The Nightingale Girls at proof stage (much to the annoyance of my editor, no doubt!)
Have you got a writing routine and a favourite place to write?
I wish! My ideal is to start writing early in the morning and go on until lunchtime. In the afternoon my brain tends to melt and I’m not nearly so productive. But that’s only the ideal – most of the time other stuff gets in the way and I end up running errands when I should be writing. I work best in my office, which is a very grand term for the partitioned-off bit at the back of the garage. It suits me because the walls are blank and the window is tiny, so there are minimal distractions. I’m not very focused when I’m working, unfortunately!
Will there be a sequel to The Nightingale Girls?
Yes, there will. I’m currently working on The Nightingale Sisters, which is due to be published next spring. As well as featuring the three main characters from The Nightingale Girls, it also picks up the stories of some of the ward sisters who featured in the current book. I’m hoping to write more Nightingale stories in the future – I love that world and everyone in it!
Finally, could you tell us something about your new release:
The Nightingale Girls is set in an East End Hospital in the 1930s, and tells the stories of three girls from very different background who sign up as trainee nurses. There’s tough East End girl Dora, who wants to make a better life for herself and escape the clutches of her evil stepfather. At the other end of the social scale is reluctant debutante Millie, who sees nursing as her chance for independence. And finally there’s timid Helen, who’s only training as a nurse to please her domineering mother. The Nightingale Girls follows them through their first year as they get to grips with bedpans, broken hearts and the tough life of a trainee nurse. Like being a nurse, there is a lot of drama and heartache, but I hope there are lots of laughs too.
EXTRACT FROM The Nightingale Girls
After growing up in the slums of Bethnal Green, not much frightened Dora Doyle. But her stomach was fluttering with nerves as she faced the matron of the Nightingale Teaching Hospital in her office on that warm September afternoon. She sat tall and upright behind a heavy mahogany desk, an imposing figure in black, her face framed by an elaborate white headdress, grey eyes fixed expectantly on Dora.
“Well – “, she began, then stopped. Why did she think she could ever be a nurse? Living on the other side of Victoria Park from the Nightingale, she had often seen the young women coming and going through the gates, dressed in their red-lined cloaks. For as long as she could remember she’d dreamed of being one of them.
So she’d left school at fourteen to earn her living at Gold’s Garments, and tried to make the best of it. But the dream hadn’t gone away. It grew bigger and bigger inside her, until four years later she had taken her courage in her hands and written a letter of application.
“It’s a hamsa,” Esther had explained, as Dora admired the exquisite little silver hand on its delicate chain. “My people believe it brings good fortune.”
“I’m keen and I’m very hard working,” she found the words at last. “And I’m a quick learner. I don’t need telling twice.”
Dora blushed at the compliment. Esther had taken a real chance, writing that reference behind her father’s back; old Jacob would go mad if he found out his daughter was helping one of his employees to find another job. “Miss Esther reckons I’m one of her best girls on the machines. I’ve got the hands, she says.”
“I have no doubt you’re a hard worker, Miss Doyle,” Matron said. “But then so is every girl who comes in here. And most of them are far better qualified than you.”
“So I see.” Matron’s voice was soft, with an underlying note of steel. “But, as you know, the Nightingale is one of the best teaching hospitals in London. We have girls from all over the country wanting to train here.” She met Dora’s eyes steadily across the desk. “So why should we accept you and not them? What makes you so special, Miss Doyle?”
Most of all, she wanted to talk about Maggie, her beautiful sister who’d died when Dora was twelve years old. She’d sat beside her bed for three days, watching her slip away. It was Maggie’s death more than anything that had made her want to become a nurse and to stop other families suffering the way hers had.
“Nothing,” she said, defeated. “I’m nothing special.” Just plain Dora Doyle, the ginger haired girl from Griffin Street.
“I see.” Matron paused. She seemed almost disappointed, Dora thought. “Well, in that case I don’t think there’s much more to say.” She began gathering up her notes. “We will write to you and let you know our decision in due course. Thank you, Miss Doyle…”
Esther Gold’s words came back to her. What have you got to lose?
Matron looked askance at her. “I beg your pardon?”
“Really, Miss Doyle, I hardly think – “
Matron’s brows lifted towards the starched edge of her headdress. “And if I don’t?”
Matron stared at her so hard Dora felt her heart sink to her borrowed shoes.